Monday, July 11, 2016

In Praise of Tony Levin

My "In Praise of..." series is intended to shine the spotlight on artists who, in my opinion, continue to be under appreciated. While not necessarily in any particular order, I feel compelled to write about the artists that I feel A) the most personally geeked about and B) are most deserving of the added attention and appreciation. In this edition I shine the spotlight on one of music's hardest working men, bassist Tony Levin.
     Perhaps Tony has never met a project that didn't intrigue, perhaps the man never learned to say, "no,"  but somehow Tony has been a contributor to over 500 albums. In ten years that's about an average of an album per week. Over forty years, an album per month. Wow! Plus, touring--did I mention touring! Tony has toured with Peter Gabriel, King Crimson, Paul Simon, Gary Burton, Herbie Mann, Judy Collins, Carly Simon, Peter Frampton, Tim Finn, Richie Sambora, Yes, Genesis, David Torn, L'Image, Claudio Baglioni, HoBoLeMa, not to mention his own bands (listed below) and other guest or imoromptu appearnaces. He has performed as a studio musician for the likes of Andy Pratt, Cher, Alice Cooper, John Lennon, Robert Fripp, Paul Simon, Sarah McLachlan, Stevie Nicks, Pink Floyd, Dire Straits, Lou Reed, Tom Waits, Buddy Rich, The Roches, Todd Rundgren, Seal, Anderson Bruford Wakeman Howe, Warren Zevon, Kevin Parent, Laurie Anderson, Kate and Anna McGarrigle, Jean-Pierre Ferland, and David Bowie. Tony has been a leader and/or contributor/collaborator for Stick Men, Levin Torn White, Bruford-Levin Upper Extremities, Gorn Levin Marotta, Liquid Tension Experiment, Bozzio Levin Stevens, California Guitar Trio, ProjeKct One and ProjeKct Four, King Crimson, L'Image, and Peter Gabriel as well as his own solo albums.
     Work ethic (and demand from others) aside, the real reason I've chosen to spotlight Tony Levin so high up on my list is because of his skills, his adventurous spirit, his flexibility, his stylistic adaptability and malleability, his technological prowess and creativity, and, most of all, for his lack of ego. Essentially quite an easy-going, happy-go-lucky guy, Tony has been known to personally corresponded directly to his fans since the beginning and has kept what some call the longest running Internet journal/diary--in photos and words--in history! (Tony Levin's Road Diary dates back to 1996--before the terms "weblog" and "blog" even existed--with over 400 archived tour pages and over 6,800 photos.)
    Then there is Tony Levin the bass player, the rhythmist, the innovator, the master. Double bass, electric bass, finger extensions ("funk fingers"), background vocals, and stage choreography are just part of Tony's shtick. His real prowess is in the commitment to and experimentation with, exploration and mastery of the uses of the 10-stringed Chapman Stick Touchboard®. This instrument allows the fingers of both hands to be simultaneously creating melodies. And, since the treble and lower end sides of the fretboard are channeled separately into your soundboard, you can treat each side with different effects. (I know:  Inspired by Tony and my own experience playing a friend's original model ironwood Chapman Stick, I purchased and worked with a version II, injection-molded polycarbonate model Chapman Stick in the late 80s and early 90s.) What amazed me when watching Tony while attending my first King Crimson concert in 1984 was how busy both of Tony's hands were. On several songs that the band performed, Tony was doing the work of two instruments--often polyrhythmically--which means one hand's fingers were working melodic patterns in a different time signature from the other hand's fingers! I had the sudden realization of just how much of the King Crimson sound was due to Tony. I was astounded, to say the least. One of the most talented and innovative musical band collectives on the planet was held together by the virtuosic talents of their bass player--one Tony Levin!
     Anyway, the Tony Levin career has been one of extreme interest and enjoyment for me to follow. Starting with my seeing him live in concert with Peter Gabriel's band in 1978 to the present, Tony is always wowing me, always pushing the boundaries of sound and bass roles. He's been rock, he's been jazz. He's been prog, he's been pop. He's been metal, he's been acoustic. He's actually all of these at one and the same time. He is always the consummate professional, the light-hearted, fun-loving, easy-going presence in the room (or on the stage) and yet you can tell: He LOVES music!
     I will end this exposé by sharing a story that I read in Bill Bruford's autobiography that I think is quite worthwhile for everyone to hear.
     Bill and Tony had been hired by hotshot guitarist Al DiMeola to fly into Aspen, Colorado to record the bass and drum tracks for a song for his upcoming album (which was to be titled, Scenario.) They flew in together, arrived at the appointed studio at the appointed time and proceeded to wait. Apparently, their wait turned into hours. When M. DiMeola did finally deign to show up, Tony and Bill--nonplussed as the professionals that they were--listened to the verbal directions from Al with regards to what he wanted from this particular song--a complicated and intricately constructed song (that became titled "Calliope" on the album). Al asked if they needed to practice--to go through it with him--but Tony said no, that he thought he had it. And so, they pushed "record" and went through the song, start to finish, in one take(!!)--nailed it--after which he and Bill proceeded to pack up and, rather unceremoniously, leave.
     Bill recalls this event not only to illustrate Tony's professional ethic, but also to plug the amazing ability Tony had on his instrument--even when dealing with new and complex music from one of the virtuosos of our time!   

Here's a playlist from an Episode of Prog Is Alive! that I did for WDRT-Viroqua a few weeks ago in honor of Tony's career:

Prog is Alive (Music) with Drew 06/26/2016 10:00PM to 12:00AM
10:00PM-10:03PM (3:16Andy Pratt “resolution” composed by Andy Pratt fromResolution (Rock, 1976) on Classic Music Vault (USA) — final 9
10:03PM-10:07PM (4:20Peter Gabriel “Moribund the Burgermeister” composed by Peter Gabriel from car (LP, 1977) on Atco Records (usa)
10:07PM-10:10PM (3:56John Lennon “(Just Like) Starting Over” composed by John Lennon from Double Fantasy (1980) on CAPITOL (USA)
10:11PM-10:14PM (3:55Paul Simon “One Trick Pony” from One Trick Pony(1980)
10:15PM Set break — Introduce tonight's theme: A Retrospective of Bassist Extraordinaire Tony Levin
10:17PM-10:22PM (5:03King Crimson “Discipline” from Discipline (LP, Album, Private, 1981) on E.G. Records (UK)
10:22PM-10:26PM (4:20The Roches “I Fell in Love” from Keep On Doing (LP, Album, Rock, 1982) on Warner Bros / Wea
10:26PM-10:32PM (6:30Peter Gabriel “San Jacinto” composed by Peter Gabriel from Security (LP, Single, Rock, 1982) on Geffen Records (USA)
10:33PM-10:40PM (7:29King Crimson “Sleepless (Tony Levin Mix) (Bonus Track)” composed by King Crimson from Three of a Perfect Pair (Expanded Edition) (1984) on Discipline Global Mobile (UK)
10:40PM-10:45PM (5:39Rosie Vela “Tonto” from Zazu (Rock, 1986) on A & M Records (USA)
10:46PM-10:50PM (4:57Robbie Robertson “Somewhere Down The Crazy River” composed by Robbie Robertson from Robbie Robertson (CD, Album, Rock, 1987) on Geffen Records (USA)
10:51PM-10:57PM (6:36David Torn “The Mercury Grid” composed by David Torn from Cloud About Mercury (1987) on Ecm Records (Germany)
10:57PM Station ID — Songs recap
10:58PM-11:04PM (6:15Pink Floyd “terminal frost” composed by David Gilmour from A Momentary Lapse of Reason (Rock, 1987) on Columbia Records (USA)
11:05PM-11:08PM (3:30Anderson Bruford Wakeman Howe “Fist of Fire” from Anderson Bruford Wakeman Howe (1989) on Arista Records (USA)
11:08PM Set break — Songs of the 80s recap
11:09PM-11:12PM (3:59King Crimson “Thrak” from Thrak (Single, 1995)
11:13PM-11:18PM (5:07Paula Cole “mississippi” composed by Paula Cole from This Fire (CD, Album, Rock, 1996) on Rhino/Warner Bros. (UK)
11:18PM-11:22PM (4:32Bill Bruford “Cobalt Canyons” from Bruford Levin Upper Extremities (1998) on Discipline Global Mobile (UK)
11:22PM-11:26PM (4:01Liquid Tension Experiment “914” from Liquid Tension Experiment 2 (1999) on Magna Carta Records (USA)
11:26PM Set break — Songs of the 90s recap
11:27PM-11:31PM (4:06David Bowie “I Took a Trip on a Gemini Spaceship” from Heathen (2002) on ISO Records
11:31PM-11:35PM (4:45Shankar & Gingger “out of My Mind” from One in a Million (World, 2004) on Ganesh Music
11:35PM-11:43PM (8:37Steven Wilson “No Twilight Within the Courts of the Sun” composed by Steven Wilson from Insurgentes (Rock, 2008) on Kscope(UK)
11:43PM Set break — Recap songs from the Naughties
11:44PM-11:48PM (4:49Levin Torn White “Cheese It, the Corps” from Levin Torn White (2011) on Papa Bear Records (UK) 
11:49PM-11:54PM (5:20Stick Men “Scarlet Wheel” from soup (Rock, 2010) onStick Men Records (USA)11:54PM-11:58PM (4:53) Tony Levin Pete Levin “Matte Kudasai (excerpt)” from Levin Brothers (2014) on Lazy Bones Recordings (USA).


Thursday, July 7, 2016

Prog Epics of 2016

We're eleven-twelfths of the way through 2016. I've heard well over 300 albums released this year. 

So far. 

Here are my current reckonings for the best prog "epics" (songs with a length of over nine minutes) for the year. (Songs in bold black belong, in my humble opinion, in the Olympian Valhalla of prog's all-time great masterpieces.)

The Best of 2016:
1. "Deep Five" - THE MERCURY TREE
2. "Walpurgi Flame" - MOTHER TURTLE
3. "Concurrent Abreaction, Parts I-VI" - STARE AT THE CLOUDS
4. “Crooked House” - GHOST MEDICINE
5. "Little Animal" - UNAKA PRONG
6. “Discontinuance” - GHOST MEDICINE
7. "Misophonia III" - ELECTRIC ORANGE
8. "Secret Signs of Green" - BRUNO MANSINI
9. "Téton effrayant - sauerkraut" - ARNAUD BUKWALD
10. "Dark Woods-Dawn Meadows" - LOST KITE
11. "Tsukutomi II" - CORIMA
12. "The Illusion's Reckoning" - MANTRA VEGA
13. "Passagero" - AKT
14. "Liquid Sun" - THE SPACELORDS
15. "Entropia" - SIGNAL TO NOISE RATIO
16. "III. West Shore:  Where We Lost the Ones" - HYPNO5E
17. "Quantum Unknown (Riveted Eye)" - GRAVITYSAYS_I
18. "Conglomeration" - SHAMBELMATHS
19. "When The Door Opens, It Opens On Everything" - JACK O' THE CLOCK
20.  "Big Black Dog" - MOTORPSYCHO
21. "Desert Spring" - GHOST MEDICINE
22. "In Love and War" - DIFFERENT LIGHT
23. "Lada Niva" - INGRANAGGI DELLA VALLE
24. "Pursue" - THENCE
25. "The End of the Satellite Age" - ETERNAL WANDERERS


Honorable Mentions:
"Cromagnosis" - ULVER
"Why Are We Whispering" - ALI FERGUSON
“Inertia” - SEVEN IMPALE
"Inntal" - INGRANAGGI DELLA VALLE
"Fighting the Doughboy" - JACK O' THE CLOCK
"Locus II" - RESINA
"Secular Soul" - HEADSPACE
“The Valley Beneath the Waves” - THE ARBORIST
"Fadeaway" (Chapter V) - GRIOT
“Them” - DISEN GAGE
“Lemma” - SEVEN IMPALE
"A Winter in The Woodshed, A Summer in The Stockyard" - THE COLOR GLASS
"Requiem for Hell" - MONO
"Following a Neutrino's Flight" - ETERNAL WANDERERS
"Suita Nr 9 (1)" - SBB
"Stalker" - SHAMBELMATHS
"The Lost Continent of Mu" - THE ARBORIST
"Lili's Day" - GADI CAPLAN
"Clockwise" - AMOEBA SPLIT
"Spirit Holy Rising" - HOWARD GIVENS & CRAIG PADILLA
"At The Edge of Time" - OUR SOLAR SYSTEM
"The Old Man and The Table Saw" - JACK O' THE CLOCK
"Los Monumentos" - RESINA
"REimpression (Feeling in D)" - IN LIMBO
"Full Fathom Five" - INTERPHASES
"New World Order" - NINETEEN TWELVE
"Mantrip" - RESINA
"We're Putting on our Bulldog Faces (and Hoping Something Good Happens)" - FRENCH TV
"Killers" - ARIBAG
"Impetus" - THE TEMPORAL CHAOS PROJECT
"In the Grand Scheme of Things" - DIFFERENT LIGHT
"The Science Within Us" - HEADSPACE
"A Falling Ember" - SHAMBELMATHS
"Call for Cthulhu" - INGRANAGGI DELLA VALLE
"Eternal Return" - DIFFERENT LIGHT
"The Daily Dark Delirium" - N.y.X.
"Eye Can't Act" - SUNGAZERS
"As a Matter of Breath" - YUGEN
"D-Day Drone" - ULVER
"Sol" - COSMIC GROUND
"In the Flame" - TEMPORAL CHAOS PROJECT
"Disconnected" - AIRBAG
"Harvest Moon" - MOTHER TURTLE
"Darkling" - DISCONNECT
"Goliath" - MACROSCREAM
"Astral Lynx" - COSMIC BEAST
"Spadające Gwiazdy" - PAWEL FIEDYS
"Second Departure" - CIRRUS BAY
"Hair in a G-String, Part 3 (I'm Going Down)" - THE COLIN TENCH PROJECT
"Athletics" - PROMENADE
"Carnival" - MARBIN
"Pursue" - THENCE
"The Stones Are Not Too Busy" - SOLAR FIELDS
"Organia" - COSMIC GROUND



Close but just too short:
"Postlude I" - AXON-NEURON
"Postlude II" - AXON-NEURON
"Amalia's Theme" - KAYO DOT
"Child" - VANETA
"Desert/Dawn" - ULVER
"Hydraulic Fracas" - ZHONGYU
"...on a Dark Cloud" - THE WINSTONS
"Windrose" - WHALEPHANT
"Rings of Earth" - KAYO DOT
"Winter" - YOSSI SASSI BAND
"Summit" - AXON-NEURON
"Uvertura XIX" - DIVJE JEZER
"Ocean Suite" - INNER PROSPEKT
"Bluebird" - STARSABOUT
"Rehumanizer" - MASERATI


Also considered:
"Toward The Omega Point" - HORSE LORDS
"The Final Thing on My Mind" - THE PINEAPPLE THIEF
"Esporas" - RESINA
"Impetus" - TEMPORAL CHAOS PROJECT
"Geocentrism" - ANGEL GRAVE
"Impenetrable Oak Bark" - MACROSCREAM
"Flat Is Round" - ANDROID 16
"NGC224" - COSMIC GROUND
"Phoenix" - SEVEN IMPALE
"The Art of Ending a Revolution" - MOTHER TURTLE
"No Cave" - MASERATI
"Organized Suffering" - ELECTRIC ORANGE
"Bottledrone" - ELECTRIC ORANGE
"Misophonia I" - ELECTRIC ORANGE
"In The Beginning of Time" - OUR SOLAR SYSTEM
"Più uguale" - DEUS EX MACHINA
"Archivists of the Universe" - ANGEL GRAVE
"Isle of Awakening Slumber" - ANGEL GRAVE
"Serpentine Maelstrom 1" - ANGEL GRAVE
"Sea God's Plight" - ANGEL GRAVE
"Dead Quiet" - AUDIO'M
"Stolen Love Bite" - AUDIO'M
"Mourning Dove" - AUDIO'M
"Mr. Why" - MACROSCREAM
"The Flying Giampy" - MACROSCREAM
"First Departure" - CIRRUS BAY
"The Battle" - APERÇU
"All the Pain in All the World" - KAYO DOT
"Eve" - BENT KNEE
"Kimon" - KURUSHIMI
"Small Ships" - LARGE BODIES
"Alexandrine" - GRICE
"Hoodoo" - LARGE BODIES
"I Believe" - PERVY PERKIN
"Toward The Omega Point" - HORSE LORDS