Thursday, March 23, 2023

2022's Best Prog Epics and Mesmerics

These are my favorite songs of over nine minutes in length from 2022 studio releases:

Masterpieces:
1. "432 Bars" (14:18) - STRANGE POP - (29.5/30) = 9.833
2. "Hypertension" (15:00) - KING GIZZARD & THE LIZARD WIZARD - (29.5/30) = 9.833
3. "Chariots of the Sun (22:22) - To Phaeton on the Occasion of the Sunrise (theme from an imagined movie)" - MOTORPSYCHO - (44/45) = 9.778
4. "Raum" (14:54) - TANGERINE DREAM - (29/30) = 9.667
5. "Time in Your Face" (10:27) - GREEN ASPHALT - (19.25/20) = 9.625
6. "Until My Wings Turn to Ashes" (9:22) - JAMBINAI - (19.25/20) = 9.625
7. "Iron Lung" (9:05) - KING GIZZARD & THE LIZARD WIZARD - (19.25/20) = 9.625
8. "Sacrae Symphonia No. 1" (39:48) - WESERBERGLAND - (75/80) = 9.5
9. "Fall of the Watcher" (9:12) - RETURNED TO THE EARTH - (19/20) = 9.5
10. "Der Hauch des Lebens (Parts 1-5)" (27:07) - KLAUS SCHULZE - (52/55) = 9.455
11. "Emnalóc (12:22) - ROLAND BÜHLMANN - (23.5/25) = 9.4
12. "I Have Little to No Memories of These Memories" (47:48) - TOEHIDER - (89/95) = 9.368
13. "Endtime" (9:03) - HAVEN OF ECHOES - (18.75/20) = 9.375
14. "Achilles" (10:48) - JOHN HOLDEN - (18.667/20) = 9.33
15. "Summer Queen" (15:52) - JONAS LINDBERG & THE OTHER SIDE - (28/30) = 9.33
16.  "Part Cloud" (10:32) - HANNAH PEEL & PARAORCHESTRA - (18.66/20) = 9.33
17. "Polarchoral" (14:05) - GRICE - (28/30) = 9.33
18 "The Horror" (16:21) - RANESTRANE - (28/30) = 9.33
19. "Catastasis" (10:50) - ELDER - (18.5/20) = 9.25
20. "Sierra Leone" (10:54) - MARILLION - (18.5/20) = 9.25
21. "Change" (13:03) - KING GIZZARD & THE LIZARD WIZARD - (23/25) = 9.20
22. "You Have It All" (14:25) - LOBATE SCARP (27.5/30) = 9.1667 
23. "Seth (Parts 1-7)" (31:47) KLAUS SCHLUZE - (59.5/65) = 91.54
24. "Die Before You Wake" (19:33) - BEN CRAVEN - (36.5/40) = 9.125
25. "The Machinery" (10:44) - INNER PROSPEKT - (18.25/20) = 9.125
26. "Be Hard on Yourself" (9:28) - MARILLION - (18.25/20) = 9.125 
27. "Tra Cielo e Terra" (9:04) - ALIANTE - (18.25/20) = 9.125
28. "For Yesterday" (9:14) - BIRTH - (18.25/20) = 9.125 
29. "Alda" (20:52) - BREIDABLIK - (36.5/40) = 9.125


Other Great Songs:
"In 256 Zeichen" (19:07) - TANGERINE DREAM - (36/40) = 9.0
"The Mountain" (16:40) - NEIL CAMPBELL - (27/30) = 9.0
"Refuse" (10:55) - BUBBLEMATH - (18.0/20) = 9.0
"Land of Gold" (13:20) - KARFAGEN (27/30) = 9.0
"Hell's Itch" (13:27) KING GIZZARD & THE LIZARD WIZARD - (27/30) = 9.0 
"Peace Patrol" (10:00) - VON HERTZEN BROTHERS - (18/20) = 9.0
"Oceans of Time" (11:37) - JONAS LINDBERG & THE OTHER SIDE - (18/20) = 9.0
"The Watcher" (9:03) - VERBAL DELIRIUM - (18/20) = 9.0
"Starseeds" (9:17) - ED WYNNE - (18/20) = 9.0 
"Ascent" (9:11) - iNFiNiEN - (18/20) = 9.0
"Alarm Bells" (10:26) - GRICE - (18/20) = 9.0
"Naked Sky" (10:26) - ONSÉGAN ENSEMBLE - (18/20) = 9.0
"Labyrinth 66 Part 1 & 2" (13:07) - DAAL - (22.5/25) = 9.0
"Il Mondo di Fronte" (9:24) - ALIANTE - (18/20) = 9.0
"The Watcher" (9:03) - VERBAL DELIRIUM - (18/20) = 9.0
"Coalescence" (9:47) - ELDER - (18/20) = 9.0
"Assailen" (9:22) - ROLAND BÜHLMANN - (18/25) = 9.0
"Basketball Shoes" (12:37) - BLACK COUNTRY; NEW ROAD - (22/25) = 8.88
"The Lady Tied to the Lamp Post" (20:52) - THE TANGENT - (35.5/40) = 8.875
"Ice V" (10:15) - KING GIZZARD & THE LIZARD WIZARD - (17.75.20) = 8.875
"Napalm" (20:12) - RANESTRANE - (35.5/40) = 8.875
"Dark Matter" (11:16) - ARKITEKTURE - (17.75/20) = 8.875
"Special Waste" (10:03) - 
INNER PROSPEKT 
- (17.75/20) = 8.875
"Endless Return" (9:54) - ELDER - (17.75/20) = 8.875
"Yndrun" (9:50) - ROLAND BÜHLMANN - (17.75/20) = 8.875 
"Everything" (10:13) - BUBBLEMATH (17.75/20) = 8.875
"Liminal Veil" (9:07) - DREADNAUGHT - (17.75/20) = 8.875
"Merged in Dreams - Ne Plus Ultra" (14:43) - ELDER - (26.5/30) = 8.833
"Reaper Man" (9:20) - GHOST TOAST (17.667/20) = 8.833
"Neon Eye Cage" (9:30) - VERBAL DELIRIUM - (17.667/20) = 8.833
"Godzilla" (43:00) - AUDIO'M - (35/45) = 8.824
"Mona Lisa / Azrael" (12:15) - MOTORPSYCHO - (22/25) = 8.80
"Miles from Nowhere" (25:33) - JONAS LINDBERG & THE OTHER SIDE - (44/50) = 8.80
"Let Them In" (12:15) - HAVEN OF ECHOES - (22/25) = 8.80
"The Changes" (17:06) - THE TANGENT - (30.75/35) = 8.7857
"Flowing Through the Change" (17:24) - LOBATE SCARP - (30.75/35) = 8.7857
"Blue Forest" (9:06) - VON HERTZEN BROTHERS - (17.5/20) = 8.75 
"Moments of Life" (10:28) - PHOENIX AGAIN - (17.5/20) = 8.75
"Time Has a Way" (13:15) - PATTERN-SEEKING ANIMALS - (26.25/30) = 8.75
"Finial" (11:01) - IN-DREAMVIEW - (17.5/20) = 8.75
"Impetus" (9:17) - ARKITEKTURE -  (17.5/20) = 8.75
"Eden Cries" (10:37) RANESTRANE - (17.5/20) = 8.75
"Seen the Sun" (11:41) - ED WYNNE  - (17.5/20) = 8.75 
"Amnis Flows Aeternum" (19:11) - BEN CRAVEN - (35/40) = 8.75
"Rithnál" (10:45) - ROLAND BÜHLMANN - (17.5/20) = 8.75 
"The Decay" (11:12) - ARKITEKTURE - (17.5/20) = 8.75
"Romantik" (9:31) - FREN - (17.5/20) = 8.75
"Sessapinae" (9:57) - IKARUS - (17.5/20) = 8.75
"Overture" (10:39) - NEIL CAMPBELL - (17.5/20) = 8.75
"The Dripping Tap" (18:17) - KING GIZZARD & THE LIZARD WIZARD - (35/40) = 8.75
"Over and Out" (21:50) - COLLAGE - (39.25/45) = 8.722 
"Chasing Time" (12:18) - GHOST TOAST - (21.25/25) = 8.70


Also Considered:
"Care" (15:20) - MARILLION - (26/30) = 8.667
"A Needle Tree" (15:23) - KARCIUS - (26/30) = 8.667
"Widdershins" (13:32) - GANDALF'S FIST - (26/30) = 8.667
"Journey Through the Spiral Mind Part 1" (14:10) - DAAL - (26/30) = 8.667
"Omega Lights" (10:05) - GALAHAD - (17.25/20) = 8.667
"Scream Sideways" (10:10) - PURE REASON REVOLUTION - (17.25/20) = 8.625
"Building Heaven" (11:34) - JOHN HOLDEN - (17.25/20) = 8.625
"Snow Globes" - BLACK COUNTRY; NEW ROAD - (17.25/20) = 8.625 
"Osiris (Parts 1-4)" (18:28) - KLAUS SCHLUZE - (34.25/40) = 8.5625
"The GPS Vultures" (17:01) - THE TANGENT - (30.25/35) = 8.643
"Wiosna" (10:26) - FREN - (17.25/20) = 8.625
"Cave" (19:45) - GANDALF'S FIST - (34/40) = 8.5
"The Dripping Tap" (18:17) - KING GIZZARD & THE LIZARD WIZARD - (34/40) = 8.5
"Home Trip" (9:10) - ALIANTE - (17/20) = 8.5
"Land of Green (Part 1)" (11:00) - KARFAGEN - (17/20) = 8.5
"All the Pretty Days" (11:40) - FREN - (17/20) = 8.5
"The Steppe Nomad Space Program" (9:14) - REGAL WORM - (17/20) = 8.5
"The Last Great Adventurer" (10:35) - GALAHAD - (17/20) = 8.5
"Kramatorsk" - COMPASSIONIZER - (25/30) = 8.333
"The Land Before Timeland" (15:00) - KING GIZZARD & THE LIZARD WIZARD - (25/30) = 8.33
"The Ladder" (13:46) - KARCIUS - (24.5/30) = 8.1667
"Paperwings" (13:52) - OAK - (24.5/30) = 8.1667
"Painting Wings" (9:22) - DAAL - (16.25/20) = 8.125
"Chun Li" (9:44) - SOFT FFOG - (15.5/20) = 7.75 
"Ephemeral Arkitecture" (9:22) - JAVIER MIRANDA - (15.5/20) = 7.75
"Turque" (24:23) - FREN (38.5/20) = 7.75
"Cartimandua" (9:10) - ALIANTE - (15.5/20) = 7.75


As yet unreviewed:
"Dhalism" (9:28) - SOFT FFOG Soft Ffog - (/20) = 
"Surface Tension" (17:57) - BUBBLEMATH Turf Ascension - (/35) = 
"Decrypted" (9:57) - BUBBLEMATH  Turf Ascension (/20) = 


Great but too short:
"Prayer for the Dying" (8:55) - ARKITEKTURE - (19.75/20) = 9.875
"Worlds Break" (8:30) - DREADNAUGHT - (19.5/20) = 9.75
"Obelisk" (8:34) - IN-DREAMVIEW - (18.25/20) = 9.125
"Faery Revolution" (8:52) - SILENT TEMPLE - (18.25/20) = 9.125
"Big Beef" (8:32) - THE LIGHT IN THE OCEAN - (18/20) = 9.0
"The Purpose" (8:37) - ELDER - (18/20) = 9.0


*Bold print denotes songs that have risen into my pantheon of All-time favorite "epics."

Wednesday, March 22, 2023

2021, Part 4: Other Albums worth checking out for yourselves



CORRADO RUSTICI  

Though this is a one-man project, seasoned veteran Corrado has all the equipment and knowledge to make very polished and sophisticated music from his technology-driven equipment.

Musicians / Lineup:
Corrado Rustici: Electric and Acoustic Guitars, ©Sophia-guitar, Keyboards, Inuk, Beats programming, Synthaxe-Voice in “Khetwadi Lane”.
Alex Argento: Additional Keyboards, Synth solo in “Halo Drive”

1. "Halo Drive" (4:43) (/10)
2. "Night of the Jackal" (5:41) very interesting for the "vocals" that sound as if some female Middle Eastern singer like Ofra Haza were being siphoned through a guitar (as Peter Frampton made so famous in the mid-1970s). When it comes time to shred, I must say, Corrado still impresses: speed, melody, employing all the tricks of the master soloist. (8.75/10)
3. "The Man from Yorkshire (Dedicated to A.H.)" (3:59) reminds me of a cross between the musics of ALLAN HOLDSWORTH, MARK ISHAM, and BABYFACE. (8.75/10)
4. "Black Swan" (3:56) far more techno-reliant, this could be a JEFF BECK song. (8.5/10)
5. "Anna" (4:44) piano and synth guitar tracks weave to create this ruminative beauty. It makes me feel as if Allan Holdsworth were alive and well--and that he had finally discovered Pat Metheny's gift of expressing "voice" and melody in his music. The shredding might be a little excessive for this music.(8.75/10)
6. "Interfulgent" (4:31) sounds like a house techno-"cover" of some R&B hit--guitar doing all the work of the vocals. It's good, polished, but feels a little like Adult Contemporary or soundtrack music. (8.5/10)
7. "Khetwadi Lane" (4:01) (/10)
8. "ZuZu Blues" (4:28) (/10)
9. "The Waters of Enceladus" (4:52) (/10)
10. "G. on a Sunny Day" (5:01) (/10) 

on the Fishscales = / stars;




NEAL MORSE BAND Innocence & Danger

One of the most driven, prolific artists in the world of progressive rock music is back with another album of professional grade songs performed and recorded, as always, at very high levels of proficiency and competency.

Line-up / Musicians:
- Neal Morse / vocals, keyboards, guitars
- Eric Gillette / guitars, vocals
- Bill Hubauer / keyboards, vocals
- Randy George / bass
- Mike Portnoy / drums, vocals

CD 1 - Innocence (48:47)
1. Do It All Again (8:53) (/20)
2. Bird on a Wire (7:23) (/15)
3. Your Place in the Sun (4:12) (/10)
4. Another Story to Tell (4:50) (/10)
5. The Way It Had to Be (7:14) (/15)
6. Emergence (3:12) (/10)
7. Not Afraid, Pt. 1 (4:54) (/10)
8. Bridge over Troubled Water (8:08) (/15)

CD 2 - Danger (50:53)
1. Not Afraid, Pt. 2 (19:30) (/40)
2. Beyond the Years (31:23) (/60)

Total Time 99:40

While I appreciate the artistry and drive Neal exudes, I just that I connect with virtually nothing he does musically, melodically, or ideologically. The compositions and performances are top notch--mentally quite admirable; the heart just doesn't connect with mine.

on the Fishscales = / stars; 





AZURE Of Brine and Angel's Beaks

A band that is new to me has come up with one of the better Prog Metal albums I've heard from 2021.

Line-up / Musicians:
- Chris Sampson / vocals, guitar
- Galen Stapley / guitar
- Bella Lee / bass
- Sam Calder / drums
- Adam Hayes / additional percussion 

1. "A Night of Superlunary Gazing (1:08) (/5)
2. "Self-Crucifixion (3:56) (/10)
3. "Ameotoko I - The Curse (9:03) (/20)
4. "The Jester Who Cheated Death (3:03) (/10)
5. "Lustre: Siphon of Umbra (6:15) (/10)
6. "Outrun God" (3:04) (/10)
7. "Mercy (6:33) (/10)
8. "Of Brine and Angel's Beaks" (4:55) shoreline waves, acoustic guitars, and impassioned vocals  (/10)
9. "A Sailor Will Learn (7:44) (/15)
10. "Cup of Poison (7:32) (/15)
11. "The Jellyfish (2:50) (/10)
12. "Ameotoko II - Cloudburst (7:22) (/15)

Total Time 63:25

on the Fishscales = / stars; 




MOTORSYCHO Kingdom of Oblivion

Prog's most prolific power trio is back with their 24th studio album release since 1990. My concern is: Can they come up with something fresh--something innovative that will surprise me--or am I about to hear more Motorpsycho being Motorpsycho?

Line-up / Musicians:
- Bent Sæther / lead vocals, bass, guitar, keyboards, drums
- Hans Magnus Ryan / lead guitar, vocals, keyboards, mandolin, violin, bass
- Tomas Järmyr / drums, vocals

1. "The Waning (Pts. 1 & 2) (7:29) (/15)
2. "Kingdom of Oblivion" (6:56) (12.75/15)
3. "Lady May (3:21) (/10)
4. "The United Debased (9:03) (/20)
5. "The Watcher (5:04) (/10)
6. "Dreamkiller (5:15) (/10)
7. "Atet (2:17) (/5)
8. "At Empire's End (8:36) (/20)
9. "The Hunt (5:46) (/10)
10. "After the Fair (1:58) (/5)
11. "The Transmutation of Cosmoctopus Lurker (10:55) (/20)
12. "Cormorant (3:38) (/10)

Total Time 70:18

on the Fishscales = / stars; 





BIG HOGG Pageant of Beasts

Glasgow's retro-prog rockers with questionable Canterbury strains turn more toward the likes of BLOOD, SWEAT & TEARS and CHICAGO for this year's inspiration. 

Line-up / Musicians:
- Justin Lumsden / electric guitar, vocals
- Sophie Sexon / flute, vocals
- Ross McCrae / trombone, electric piano
- Richard Merchant / trumpet, cornet, flugelhorn
- Nick Gaughan / drums, percussion, synthesizers, backing vocals; guitars, bass & keyboards (7)
- Martin Beer / electric bass, double bass, autoharp
With:
- Lavinia Blackwall / vocals
- Mike Hastings / acoustic guitar, space guitar (7)
- Phil Cardswell / trumpet solo (6)
- Rory Clark / 2nd flugelhorn (6)
- Georgia Seddon / chant
- Ian Sexon / spoken words


1. Golden Beasts (0:30) horns like Chicago or Frogg Café! Nice album intro (though might've been better as an interlude). (4/5)

2. "Here Come the Moles" (4:55) funk with horns! Tower of Power, the JBs, or Billie Preston. But then female vocalist Sophie Sexon (or is it Lavinia Blackwell?) joins in in the third minute displaying her pretty but very pitchy voice. (8.5/10)

3. "Man Overboard" (3:46) light, fun, and melodic like the fun side of Canterbury--with horns. Sounds most like Dutch band SUPERSISTER. A top three song. (9/10)

4. "Smoking Again" (3:51) raspy male vocalist reminds me more of a blues-rock singer like Dr. John or  What is this? (7.75/10)

5. "Willow's Song" (3:33) never thought I'd hear this song from anyone other than DOVES. Though an okay arrangement, the song put on display the flaws in female vocalist Sophie Sexon's pitch-imperfect voice. (7.75/10)
 
6. "Red Rum" (3:03) horns with bluesy guitar and rhythm section. Once again, I'm reminded of FROGG CAFÉ--without the vocals. (8.5/10)
 
7. "All Alone Stone" (5:24) gorgeous flugelhorn, trumpet and Fender Rhodes-led intro leads into sensitive KHAN/MAGIC BUS-like song. Very nice piano chord progressions and fuzz bass/space guitar. A top three song for me. (8.75/10) 

8. "Magistellus" (4:17) jazz-rock (with background horns) and double female lead vocalists makes for a pleasant song. The compositions are showing signs of greater sophistication. (8.5/10)

9. "Wyverns" (4:31) sounds like a wild stage jam with several riffs and themes starting and shifting seemingly unbeknownst to the other players. Somehow, it all kind of works. (8.25/10)
 
10. "Bouffant Tail" (1:12) should have been titled something like "male soloists jizz on a chalkboard." (2/5)

11. "Cat Fool" (3:20) the song Burt Bacharach and Daevid Allen never recorded together (or apart). Now we know why. (8/10)

12. "Too Much Belly Not Enough Paw" (0:45) very nice cinematic outro. My final top three song. (4.5/5)

Total Time 39:07

81.43 on the Fishscales = C/three stars; some nice music to try out for yourselves. 



MAQUINERIAS Media Banda

Line-up / Musicians:
- Florencia Novoa / vocals
- Cristián Crisoto / alto saxophone, soprano saxophone, bass clarinet, alto flute, vocals
- Christian Hirth / drums & percussion, electronica
- Rodrigo Aguirre / tenor saxophone, traversa flute
- Tomás Ravassa / piano, keyboards, synthesizer
- Aurelio Silva / electric guitar
- Rafael Chaparro / tenor saxophone, baritone saxophone, choir
- Felipe Martínez / electric bass
With:
- Consuelo Schuster / vocals
- Pablo Ilabaca / vocals
- Felipe Ilabaca / bass
- Daniel Muñoz / vocals, percussion
- Sebastián Jordán / trumpet
- Marcelo Maldonado / trombone

1. "Perro Chico Malo (5:42) (/10)
2. "Godzilla (5:23) (/10)
3. "Canción Formal en 7/8 (5:23) (/10)
4. "Buhardillas (1:43) (/5)
5. "Maquinarias (5:01) (/10)
6. "Fulano (6:24) (/10)
7. "Suite Recoleta (8:03) (/15)
8. "Señor Gorro Capucho (2:40) (/5)
9. "El Dar del Cuerpo (8:21) (/20)
10. "Adolfo, Benito, Augusto y Toribio (4:45) (/10)

Total Time 53:25



DREAM THEATER A View from on Top of the World


Line-up / Musicians:
- John Myung / bass
- John Petrucci / guitars, additional vocals
- James LaBrie / vocals
- Jordan Rudess / keyboards
- Mike Mangini / drums

1. "The Alien (9:32) (/20)
2. "Answering the Call (7:35) (/15)
3. "Invisible Monster (6:31) (/10)
4. "Sleeping Giant (10:05) (/20)
5. "Transcending Time (6:25) (/10)
6. "Awaken the Master (9:47) (/20)
7. "A View from the Top of the World (20:24) (/40):
- i. The Crowning Glory
- ii. Rapture of the Deep
- iii. The Driving Force

Total Time 70:19




MONARCH TRAIL Wither Down

Canadian Ken Baird making his third attempt to broadcast to the world his reverence for all-things Tony Banks. 

Line-up / Musicians:
- Ken Baird / piano, keyboards, vocals, composer
- Kelly Kereliuk / guitar
- Steve Cochrane / acoustic guitar
- Dino Verginella / bass
- Chris Lamont / drums

1. "Wither Down" (10:53) like something from Tony Banks' first solo album (though perhaps a bit better). The vocals are near-unlistenable--reminding me of Chris Squire's pitchy, strained, solo attempts. (15.5/20)

2. "Echo" (5:59) a little more complexity here. (8/10)

3. "Canyon Song" (6:32) not seeing any above average quality or creativity here. (7.75/10)

4. "Waves of Sound" (11:00) pretty but seems to exist solely for the purpose of placing the listener into a Mellotron coma (which can be a very pleasant place to be). Love the treated vocal, French lyrics, and free-walking bass. (16.75/20)

5. "Megalopolitana" (15:18) Kudos for Ken's sidemen for doing their best to breathe some life into this one. Some of the instrumental activity is rather interesting. The vocals (and lyrics) weigh it down (again). (24.25/30)

6. "All Kinds of Futures" (6:47) To give Ken some credit: He is one of the more gifted Tony Banks imitators--as well as one of the more spot-on Genesis re-creators.  (12.25/15)

Total Time 56:29

A collection of very pretty music that sounds exactly like most of the TONY BNAKS/GENESIS-worshipping Neo Prog coming out in the late 1970s and early 1980s. Competent, rich in full keyboard sound, and pleasantly melodic but, ultimately, too derivative/imitative--and poor sound quality.

80.48 on the Fishscales = C/three stars; a nice collection of pretty exhibitions of Tony Banks worship that could be relegated to the "collectors only" pile if it weren't for the accuracy of it's Genesis recreation. 




FRAGILE Beyond

I love the work of Claire Hamill, Oliver Day, and Max Hunt, and I enjoy a lot of music that emanated from the band YES--I might even be interested in seeing a tribute band if one came close to me--but bands motivated by near-perfect replication of a single band's sound and songs, though impressive, usually bore me. (How many Yeses, Genesises, King Crimsons and Focuses do we really need?) I listened with great interest to this band's debut release from last year, Golden Fragments, but, in the end, dismissed it as four talented artists who had too much time on their hands during COVID lockdowns. But now, with a 2021 release to follow up, I am thinking that these guys are serious! They really want to create new Yes-like music.

Well, the plastic sound of the drum heads weren't enough to drive me crazy, the Yes similarities are just too close--even with Claire's crystalline female voice on top. If there's one saving grace, the bass play is neither mixed as far forward or as busy as his Yes -counterpart, the late great Chris Squire. A 21-minute multi-part epic followed by two fourteen minute suites. The former is respectful and unobtrusive--and not over the top bombastic--more like a MAGENTA composition--and I have to admit that Ms. Hamill's performance is rather charming. Oliver Day adds enough of his own style and sound selection to not be too obvious as a Steve Howe replicant and multi-instrumentalist Max Hunt does an admirable job with several key tracks, including the bass and background vocals. I'd give it a (39.25/45) rating--(It would have been higher were it not for the too-near "Starship Trooper" finale).

2. "Yours and Mine" (14:26) unfortunately, sees the band trying a bit too hard to get really close to several famous Yes songs--perhaps even to merge several. And then Claire's lackluster Heather Findlay-like vocal practically ruins it. (Sorry to be so direct, Ms. Hamill, but, what a corny lyric! I feel so embarrassed and pandered to! I'll have to go back to the magic of "Icicle Rain" and Voices just to clear my head and cleanse my palette.) (24/30)

3. "The Golden Ring of Time" (14:09) Max is no Rick Wakeman. Then they have the gall to steal Chris' melodic hook from Schindleria Præmaturus! And those galloping plastic drums! There's just a series of instrumental hooks lifted directly from Yes songs and flaunted as if this were truly a song of homage. A fair song if I weren't so distracted by every other minute's presentation of Yes-familiar riffs. Still, this is the most memorable song of the album--and thus my favorite. (26/30)

80.24 on the Fishscales = C/three stars; for curious Yes fans only.  




APOGEE The Blessing and The Curse

Line-up / Musicians:
- Arne Schäfer / lead & backing vocals, electric & acoustic guitars, keyboards, bass, orchestrations
- Eberhard Graef / drums & percussion

1. Out of Control (5:09) classic rock from the early 1970s that turns to tyring to be proggy until the almost laughable shift to super-simplisitic music foundation. Horrible vocals! Like a drunk, poorly recorded Andy Tillison.
2. Congealing Ground (13:39) some crazy VDGG stolen riffs and themes! 
3. Hard to See (12:24)
4. The Blessing and the Curse (16:03)
5. The Inspiring Tune (15:23)

Total Time 62:38

Absolutely awful vocals over some nicely constructed, well-performed, though incredibly derivative, music. I hate the way they have even blatantly stolen famous riffs and sounds from old classic prog bands. Get a better vocalist (or enhanced sound effects/auto tune) and some better lyrics and we might have something here.




LANA LANE Neptune Blue

Line-up / Musicians:
- Lana Lane / lead vocals
with:
- Erik Norlander / keyboards, backing vocals
- Jeff Kollman / guitar
- Mark McCrite / rhythm and acoustic guitars, bass, backing vocals
- Don Schiff / NS Stick
- Greg Ellis / drums, percussion
- John Payne / backing vocals

1. "Under The Big Sky
3. "Really Actually
4. "Come Lift Me Up
5. "Bring It On Home
6. "Don't Disturb The Occupants
7. "Lady Mondegreen (She's So Misunderstood)
8. "Miss California
9. "Someone Like You (Psych Version)
10. "Far From Home
11. "Neptune Blue





NICHELODEON Incidenti - Lo Shianto

Line-up / Musicians:
- Claudio Milano / all vocals sounds (2,3,4,5,6,7,9,10,13,15,16), vocals noises & reciter introductions (11,12), screaming (12), backing vocals & vocals effects (8), diamonica & piano (9), percussion (4,16), synth (6,13), field recordings (4,9,15), electronics (13,14,15,17)
- Paolo Siconolfi / editing, mixing, mastering, sound designer (1-17), electronics (2,4,6,8,9,13,15), field recordings (4,11)
- Erica Scherl / violin (2,4,7,8,10,11,12,15,16)
- Evaristo Casonato / oboe (2,4,7,8,15,16), flutes (4,7,8,16), contralto saxophone (7,16), English horn (16)
- Paolo Tofani Krsna Prema / iPad (3,16)
- Vincenzo Zitello / theremin Moog (4)
- Laura Catrani / soprano (1,14)
- Coucou Sèlavy / one thousand voices/theatre (11,12)
- Dalila Kayros / extended vocals (15 from 06.07.089 to 09.01.140), field recordings (14)
- Cinzia La Fauci / ghosts' voices (8 from 00.43.081 to 01.25.495)
- Stefano Luigi Mangia / extended vocals (15 from 06.09.782 to 07.12.642)
- Massimo Silverio / lead vocals (8), cello (8,9), electric guitar (9)
- Paola Tagliaferro / all mothers' voices (8 from 0.11.371 to 0.32.362 & from 03.03.293 to 03.25.955), zither (8,14)
- Paola Tozzi / vocals (17)
- Vittorio Nistri / synth, electronics (15,17), classical guitar (15), pre-edit (15)
- Stefano Giannotti / synths (5,9), electric piano (9), prepared piano (7), drums & percussion (9), harmonium (9)
- Gianni Lenoci / prepared piano (5)
- Camillo Pace / double bass (13,15)
- Francesca Badalini / grand piano (4,16), prepared piano (4)
- Andrea Grumelli / fretless bass, basses (2,4,15)
- Andrea Quattrini / drums & percussion, electronics (4,7)
- Stefano Ferrian / electric guitar (3,15)
- Raoul Moretti / electrified harp (15)
- Andrea Murada / self built percussion, percussion from all over the world (16)
- Fabio Amurri / piano (7)
- Pierpaolo Spirangle Caputo / electrified self-built ghironda (4-16)
- Mimmo Frioli / drums & percussion, pre-edit, recording (3,10,11,12)
- Giovanni D' Elia / bass (3,10,11,12)
- Danilo Camassa / classical & electric guitars (10,11,12)
- Mauro Corvaglia / electric self built guitar (3)
- Domenico Liuzzi / tenor saxophone (3,15), bassoon (15,16)
- Max Pieretti / synth - closing section (7)
- Fulvio Manganini / Stick (7)
- Alessandro Palma / drums (16)
- Ulisse Tonon / accordions (7,14), electrified accordion (14), prepared piano (14)
- Sisto Palombella / accordion (1)
- Claudio Pirro / electric & acoustic guitars (2)
- Marco Lucchi / Mellotron (8)
- Luca Olivieri / glockenspiel (4,15)
- Lorenzo Sempio / guitars, guitar synth, noises & amp, effects (1,8)
- Jody Bortoluzzi / synth, suggestions (8)
- Ivano Nardi / drums & percussion (15)
- Franco Poggiali / synth (17)
- Daniele Onori / electric & acoustic guitars (17)

1. "Not Me - Non Esistono (Senza Valore #1) (3:31)
2. "NichelOdeon - How Hard Tune! La canzone dei soli (Senza Valore #2) (2:38)
3. "This Order - Variations on The Jargon King (Senza Valore #3) (5:22)
4. "NichelOdeon - Il Barbiere degli Occhi (Senza Valore #4) (7:36)
5. "Not Me - Con Dedica (Senza Valore #5) (2:55)
6. "Not Me - Senza Ritorno (Senza Valore #6) (3:22)
7. "NichelOdeon - La Scatola (Senza Valore #7) (6:49)
8. "NichelOdeon - L'ultima Sigaretta - Fantasmi ad Argun (Senza Valore #8) (5:22)
9. "NichelOdeon - Idiota - Autoritratto (Tadzio's Death - Senza Valore #9) (2:42)
10. "This Order & Coucou Sèlavy - Ho Gettato mio Figlio da una Rupe perché non Somigliava a Fabrizio Corona (Senza Valore #10) (12:11)
11. "Not Me - Sabbia Scura (Senza Valore #11) (4:11)
12. "Not Me - Del Mondo gli Occhi - New Moses (Senza Valore #12) (1:03)
13. "InSonar - Nyama - Gettarsi Oltre (Senza Valore #13) (10:10)
14. "NichelOdeon - La Montagna e il Trono (Senza Valore #14) (5:17)
15. "Not Me - Out Let - Viae di (s)PHjga (Senza Valore #15) (3:36)

Total Time 76:45





2020, Part 4: Other Albums worth checking out for yourselves



LEAFBLADE The Goddess with Child




PSYCHOYOGI Dangerous Devices

Expressing stylistic approaches in the same category as CARDIACS, KNIFEWORLD, and AMBITIOUS LOVERS.

Line-up / Musicians:
- Chris Ramsing / Guitar, Vocals
- Justin Casey / Drums, Percussion
- Izzy Stylish / Bass
- Toby Nowell / Trumpet, Alto & Soprano Sax (1,2,4,5,6,9,10)
- John Macnaughton / Alto & Tenor Sax (3,7,9,11)

1. Dangerous Devices (4:45)
2. One Way Track (3:11)
3. Master Plan (4:08)
4. New Frontier (2:57)
5. Sooner Than Now (4:12)
6. Common As Muck (2:27)
7. Shadows (4:22)
8. Moron (1:46)
9. Tender Loving Way (2:20)
10. Lament (0:53)
11. Words Unspoken (4:14)
12. Plastic Palace (0:22)

Total Time 35:37

B-/3.5 stars.




FRAGILE Golden Moment

Original stuff from long-time YES tribute band. What makes this group and album particularly exciting is the presence of prog veterans Claire Hammill and and, more, the presence of young guitar phenom Oliver Day (from JOHN HOLDEN).

Line-up / Musicians:
Claire Hamill - Vocals
Oliver Day - Guitars
Max Hunt - Vocals, Keyboards, Bass, Guitar, Percussion
Russ Wilson - Drums/Percussion
With
Clive Bayley (Mabel Greer's Toyshop) - Vocals (4, 6)

1. "When Are Wars Won?/Surely All I Need" (12:17) (21.75/25)
2. Blessed By The Sun/Hey You And I And (6:40)
3. Five Senses (4:34)
4. Heaven's Core (6:29)
5. Open Space (2:31)
6. Time To Dream/Now We Are Sunlight (6:29)
7. "Old Worlds And Kingdoms/Too Late In The Day" (11:24) (17.25/20)

Total Time 50:24



FRENCH TV 

The 13th album release (12 studio albums) since 1983 from these excellent Lousiville-based Avant/RIO musicians.
 
Line-up / Musicians:
- Katsumi Yoneda | guitars
- Pat Strawser | keyboards
- Mike Sary | bass, loops, samplers
- Jeff Gard | drums (1/3-1/5), all drums (2)
- Mark L.Perry | drums, percussion (1/1, 1/2, 1/6)
with:
- Ludo Fabre | violin (1/1, 1/3)

CD1: SORT OF LIVE IN THE STUDIO: 45:02
1. "Unexpected Secrets of the House of Mystery at the Witching Hour" (8:33) what if ATOMIC APE and 1984 JEAN-LUC PONTY merged? (17.75/20)
2. "This Decadent Poetry Is Awful" (5:01) (/10)
3. "Stubby Index Finger" (7:55) (/15)
4. "The Museum of Worthless Inventions" (7:44) (/15)
5. "That Jigsaw Puzzle is Tearing Our Family Apart" (6:25) (/10)
6. "A Cornucopia of Riches" (9:23) (17.5/20)

CD2: LIVE IN THE STUDIO: 62:59
1. "Ghost Zone/Noble Obelisk" (8:31)
2. "This Decadent Poetry Is Awful" (5:01)
3. "The Odessa Steps Sequence" (9:44)
4. "Look at the Bears! Look at the Bears! Look at the Bears!" (9:20)
5. "Conversational Paradigms" (7:44)
6. "That Thing on the Wall" (8:52)
7. "Black Pit" (3:56)
8. "A Cornucopia of Riches" (9:51) a redo of the same song from CD1. (/20)

Total Time: 108:01

One of their most accessible and best produced albums. Great lineup of musicians Mike Sary has attracted to his studios. 




Q-BIZM Corduroy Shorts

Wonderful psychedelic funk-jazz rock music from Italia. As if enmeshed with 

Line-up / Musicians:
Francesco Corrias - drums
ETN Hunyady - guitars
Filippo Gaetani - bass, guitars, vocals
Francesco Longhi - keyboards
Alessandro Riccucci - saxophones
Stefano Lunardi - violin
Thomas Murley - vocals, sound effects
With
Antonio Denti - spooky guitar (2)
Tommaso Gaetani - acoustic guitar (1)
Valentin Gerlier - acoustic guitar (7)

1. "Black Truck" (3:41) As if a little of the MOTORPSYCHO virus infected King Gizzard & The Lizard Wizard while performing the soundtrack for the film, The Commotions. (8.75/10)
2. "3131" (3:58) A little SIMPLY RED fused with THE STYLE COUNCIL for a funky instrumental. Brian Ellis would love this! (8.75/10)
3. "Just A Man" (3:48) The Who? Paul Weller? Tame Impala? Catchy melodies. (8.25/10)
4. "Funkraum" (3:22) P Funk Allstars/Average White Band instrumental. Nice work on the Hammond. (8.5/10)
5. "The Ghost Of Castlesea" (2:19) a very interesting change of pace: acoustic guitar picking! (4.5/5)
6. "Warning" (3:18) this could easily be either THE BEATLES or PAUL McCARTNEY. (8.25/10)
7. "Kyodo Shuffle" (3:27) sounds like something from Nikitas Kissonas' The Fall of Bliss. (8.25/10)
8. "Punkache" (3:50) STEELY DAN "Black Cow" chords and instruments. Very pretty. (8.75/10)
9. "Blues" (3:16) AC/DC!!? or TREE TOPS? Wow! Another song that really surprises me. (8.5/10)
10. "Roggen Roll" (4:12) earlier STEELY DAN with a bit more smooth jazz/adult contemporary feel to it. Jazz instrumental. (9/10)

Total Time 35:11

I must admit that Francesco Corrias' drumming stands out as the wonderful glue it is for this very solid album of psychedelic funk--one that is laced with quite a few surprises. 

B/four stars.



TERRAPIN Zero Repercussions

Greek retro Prog Folk in the folk rock traditions of the 1970s (Strawbs, Eden, Roy Harper)

Line-up / Musicians:
Vassilis Bas Athanassiadis - vocals, electric guitar, 12 string acoustic guitar, cümbüş, Korg Monotron
George Tzivas - drums, percussion
Kostas Sidirokastritis - backing vocals, bass, keyboards, electric guitar

1. In The Fields Of Unknown Graves (5:26)
2. Hymn (5:39)
3. (Prolonged Accusation) Mind Probe (3:26)
4. The Woods (5:54)
5. Infinite Trajectories (5:20)
6. Early Morning (7:10)
7. Epithalamion (4:06)
8. Graciously (4:58)

Total Time 41:59



MECIEJ MELLER Zenith

Line-up / Musicians: 
Maciej Meller (Riverside, Quidam) – guitars, mandolin 
Krzysztof Borek – vocals 
Robert Szydło – bass guitars 
Łukasz Damrych – keyboards 
Łukasz Sobolak – drums 
With
Szymon Paduszyński – backing vocals (3)

1. Aside (8:44)
2. Knife (4:39)
3. Plan B (4:11)
4. Halfway (5:10)
5. "Frozen" (5:40) (8.75/10)
6. Fox (6:40)
7. Trip (8:02)
8. Magic (1:52)

Total Time 44:58





SECONDS BEFORE LANDING Cosmonaut

Simple but pleasing and quirky Neo Prog inspired by a space theme. The music is gorgeous and very nicely engineered. It is mostly very relaxing and lyrically interesting, but perhaps a little overly simple and spacious.

Line-up / Musicians:
- John Crispino / Vocals, Drums and Percussion, Synths, Bass Synth, Loops and Effects
- J.D. Garrison / Bass
- Guy Bar Tor / Bass
- Eric Maldonado / Lead Guitars
- Steve Schuffert / Lead Guitars
- Rick Witkowski / Rhythm and Acoustic Guitars
- Jamie Peck / Steinway Piano, Saxophone, Clarinet Solo
- Vanessa Campagna / Vocals

1. Weightless (0:40)
2. Life (3:02)
3. My Best Friend (5:25)
4. March In to Klushino (5:07)
5. Training (1:59)
6. Waterfall (3:37)
7. "Close to Heaven" (5:48) nice BLUE NILE like sound palette. (9/10)
8. Yuri Speaks (1:20)
9. 36 Dogs (5:30)
10. It's Time Now (5:30)
11. One Minute to Launch (2:51)
12. Answer Me (5:22)
13. Cosmonaut (8:31)
14. Oh How I Miss You (3:00)
15. The End (3:22)

Total Time 61:04

Competent and listenable if not terribly sophisticated.

B-/3.5 stars; an album worthy of your own judgment. 




CARY GRACE Lady of Turquoise

Some interesting spacey-psychedelic sound arrangements of some very simple, very traditionally constructed blues songs. The reviews of my previous two esteemed reviewers fail to mention the commanding vocal allure and lyrical delivery that Cary possesses that is strikingly similar to that of Siouxsie Sioux. There may even be some uncredited small debt owed in the sound palette to the Banshees (and Cure). Also agreed that Cary's lyrics and vocal delivery are the most remarkable part of this music. 

Line-up / Musicians:
- Cary Grace / vocals, synthesizers, acoustic guitar, electric guitar, organ, sampling, sequencing, electronics, sound effects
- John Garden / electric guitar, Prophet-5, drums
- Steffe Sharpstrings / electric guitar
- Victoria Reyes / organ, piano, backing vocals
- Graham Clark / electric guitar, electric violin
- Steve Everitt / string arrangement, electric guitar, lap steel
- Ian East / saxophone
- Andy Bole / bouzouki, laouto
- Andy Budge / bass
- David Payne / drums

CD 1 (45:33)
1. "Khepera at the Dawn" (4:08) the lead guitarist in this bluesy instrumental neither stays with the rhythmists nor with the established melody. S/he might be able to get away with it were s/he really Jimi Hendrix, but . . . Nice sound palette; next take, please. (8/10) 
2. "Letterbox" (4:35) acoustic guitar turns four-chord Jeff Beck/Jimmy Page. Interesting sound palette.(8.5/10)
3. "Without a Trace" (5:50) interesting lyrics and delivery; interesting take on John Lennon's "Imagine." Dream on. (8.25/10)
4. "Into Dust" (5:21) what if Hendrix were to have played on Procul Harum's "Whiter Shade of Pale" as Siouxsie Sioux crooned. In the fourth minute it tries to turn religious with church choral chant of lyric, "body and soul." (8.75/10)
5. "Afterglow" (6:11) whisper-spoken poetic lyrics over basic, sparse and spacious blues rock. Hypnotic--until the 3:10 mark when Cary and the band leap back into the here and now with convincing force. Too bad the instrumentalists wander off book (off universe) in the final two minutes--otherwise a kind of cool song in a Anne Clark kind of way. (8.75/10)
6. "Film Noir" (7:18) more Anne Clark-type of musical-poet experience. (12.5/15)
7. "Costume Jewellery" (extended version) (12:10) strummed guitars (electric & acoustic) and violin appear before drums and bass join in. After the first verse it turns into a kind of imitation of Jimi Hendrix's "Third Stone from the Sun" (or else The Pink Fairies' "I Wish I Was a Girl"). (20/25)

CD 2 (46:37)
8. "Moonflowers (Fade to Black)" (6:55) (12/15)
9. "Sacrifice" (10:24) nice lead guitar work in the second half over this middle school blues rock practice jam. (16/20)
10. "Memory" (4:09) she's no Nina Hagen--despite using the chords and mood of "Der Spinner." The lead guitar in the L channel sounds like Brian May. (8/10)
11. "Castle of Dreams" (11:19) the first uptempo song on the second disc relies on a disco beat and Supertramp bouncing keyboard. The L channel guitarist wishes s/he were Robin Trower. Again, Souixsie and the Banshees and the late 1970s come to mind--even and especially the stripped down mid-section. Nice choral vocals. (16/20)
12. "The Land of Two Fields" (2:08) birds and a guitar being tuned over a KRAFTWERK sequence/loop. Turns kind of CAMEL-esque. Why isn't there more of this on the album? (4.5/5)
13. "Lady of Turquoise" (11:42) back to the post-punk, early Goth 70s. You half expect ROBERT SMITH or ROBERT JAMES to start singing. With 11 minutes of that drum and bass line, the musicians have no choice but to solo--otherwise they'd go crazy (or to sleep). Go John Hughes! (15/20)

Total Time 92:10

It feels to me as if everything on this album, song titles, lyrical phrases, instrumental sounds, rhythms and chord progressions, guitar soli, and even the vocal stylings are copies of something or someone else from rock's past--usually quite iconic things. The music is too simplistic to really be classifed as "prog" as it is more akin to the classic blues rock that was evolving parallel to the serious progressive rock pioneers--musicians like Jimi Hendrix, Randy California, Eric Clapton, Robin Trower, Frank Marino, and At times it's good, at times interesting, but mostly I find it redundant. But, then, I'm not a lyrics guy, so perhaps I'm missing something earth-shattering in the message. Otherwise, I'd heard music just as good as this from a band in my middle school. (Okay, maybe the lead guitar and lead singing are a little better here.) 

81.25 on the Fishscales = C/three stars; a good collection of very standard blues-rock songs over which a talented lady sings and plays her guitar.




COMPASSIONIZER Caress of Compassion

Mood- and place-evoking instrumental soundscapes from the ever-creative mind of Ivan Rozmainsky (ROZ VITALIS).

Line-up / Musicians:
- Serghei Liubcenco / guitar, doira, rubab, recording
- Leonid Perevalov / bass clarinets, clarinets, recording
- Ivan Rozmainsky / conception, keyboards, percussion, recording
- Natalia Fyodorova / gusli
- Yurii Groiser / drums, programming
- Stanislava Malakhovskaya / harp
- Oleg Prilutsky / trumpet

1. "The Whole Creation Travaileth in Pain Together (7:16)
2. "Street Out of Sleep (3:22)
3. "How Poems Lose Relevance (4:15)
4. "Caress of Compassion (Part 1) (3:22)
5. "Beware of Evil Workers (3:47)
6. "Heart to Heart Talk (4:04)
7. "Sinkhole (3:29)
8. "Caress of Compassion (Part 2) (2:13)
9. "1907 (5:14)
10. "When It Is Too Late to Love (3:06)
11. "My Soul as a Thirsty Land (5:13)
12. "Caress of Compassion (Part 3) (3:04)

Total Time 48:25

Interesting and evocative of the isolation that survival from the Coronavirus of 2020 has demanded across the globe. To me, the music feels like a cross between the 2020 releases of ANNA VON HAUSSWOLF, LUNATIC SOUL, and old, creepy KARDA ESTRA. Boy! COVID-19 has certainly changed us! I'm always interested in Ivan's music; his albums always contain interesting creative music (and often a masterpiece or two), but there's something impressionistic (which is not necessarily bad) and incomplete or unfinished about many of his compositions--which leaves me wanting more, hoping for . . . completion. This album is perhaps his most demonstrative of this trait.

on the Fishscales = / stars; 




COLLAPSE UNDER THE EMPIRE Everything We Will Leave Beyond Us

Line-up / Musicians:
Chris Burda - drums, Keyboards
Martin Grimm - guitar, drums

1. "Ark Of Horizon" (5:13)
2. "Red Rain" (4:09) (8.25/10)
3. "Seven" (3:26)
4. "Resistance" (7:27) a very good cinematic PR song. (13/15)
5. "Destruction" (6:31) good Post Rock; nothing very powerful or innovative, though. (8/10)
6. "Everything We Will Leave Beyond Us" (4:52) great song for which the band put together an AMAZING video under the title of "Beyond Us." My vote for The Best Prog Video for 2020. (9.25/10)
7. "A New Beginning" (4:53)
8. "Another Earth" (4:37) good Post Rock with power and atmosphere. (8.5/10)

on the Fishscales = / stars; 






SAMSARA BLUES EXPERIMENT End of Forever

Apparently this album is the band's swan song: the end, forever. It's been a good ten years!

Line-up / Musicians:
- Christian Peters / vocals, guitars, keyboards
- Thomas Vedder / drums, percussion
- Hans Eiselt / bass, backing vocals

1. "Second Birth" (10:58) (17/20)
2. Massive Passive (6:00)
3. Southern Sunset (6:46)
4. Lovage Leaves (4:17)
5. End of Forever (7:55)
6. Orchid Annie (8:24)
7. Jumbo Mumbo Jumbo (6:47) *

Total Time 51:07

* bonus track

on the Fishscales = C+/2.5 stars; a fair but disappointing submission to Prog World--one that shows me the failure of a band to progress and improve since its arrival ten years ago. Good riddance and good luck, former members of the now-disbanded Samsara Blues Experiment. 




KLAUS MORLOCK The Memory Chamber

Back to Panegra and the 1974 disappearances of Lilly . Klaus has a little obsession.

1. The Still Point" (3:56)
2. Limerigg '76" (2:40)
3. You Again" (2:02)
4. Ladybird's Journey" (3:47)
5. Ladybird's Ascension" (4:33)
6. Everything's Fine" (1:06)
7. Together at Last" (2:16)
8. "The Memory Chamber" (12:01) ethereal organic analog music with Nature sounds throughout.Pleasant but nothing new or exciting here. (19/25)

on the Fishscales = / stars;






ISOBAR Isobar

Anytime Mattias Olsson shows up you should pay attention, so I did. The result is solid by nothing new or exciting--and, being all instrumental, needing something "more."

Line-up / Musicians:
- Malcolm Smith / guitars
- Marc Spooner / keyboards
- Jim Anderson / bass
- Mattias Olsson / drums
With:
- Evan Weiss / trumpet (2,6,8,10,13)
- Lonnie Cory / trumpet (4,5,7)
- Ben Bohorquez / saxophone (2,6,8,10,13)
- Tony Abena / saxophone (4,5,7)

1. Weekend of Mammals (4:17)
2. Control Mouse (4:28)
3. Major Matt Mason (4:57)
4. Off the A6 (5:32)
5. Dinky Planet (6:32)
6. Mais Daze (3:26)
7. New Math (3:45)
8. 79¢ (5:07)
9. Dinner Ain't Ready (5:07)
10. Elves Are Go! (4:10)
11. AP Alchemy (9:22)
12. Uncanny, The (3:37)
13. Isobars (5:26)

Total Time 65:46

on the Fishscales = / stars; 




OTTONE PESANTE DoomooD

"Brass Metal"! From Italy!




on the Fishscales = /4.5 stars; 




RING VAN MÖBIUS The 3rd Majesty

Line-up / Musicians:
- Thor Erik Helgesen / Hammond L100, Fender Rhodes, Clavinet D6, Moog Satellite, tubular bells, theremin
- Håvard Rasmussen / bass, effects
- Dag Olav Husås / drums, timpani, percussion, effects

1. The Seven Movements of the Third Majesty (22:06) :
- a. Universal
- b. Spectrum
- c. Reaction
- d. Bilateral
- e. Zenith
- f. Strife of the Icons
- g. Altitude over Azimuth
2. Illuminati (5:33)
3. Distant Sphere (11:11)
4. "The Möbius Ring" (9:01) great organ and bass play beneath the Ozzie Osborn-like vocal performance. (18/20)

Total Time 47:51

on the Fishscales = /four stars; 




PENCARROW Growth in the Absence of Light

Line-up / Musicians:
- Justin Chorley / drums
- Tonnie ten Hove / guitars, vocals
- Anthony Rose / keyboards
- Todd Thompson / bass

1. "In Medias Res" (5:26) long and deliberate atmospheric rise leading to an instrumental that reminds me of Pure Reason Revolution's The Dark Third. (9.5/10)
2. "Portrait of My Intimate Frailty" (5:42) the music bleeds in from the previous song but quickly finds some heavily distorted guitar chords--almost metal. At the three minute mark it takes a turn to become totally dominated by the arpeggiated chords of a dreamy Fender Rhodes and scratchy electric guitar. At 4:30 Mellotron, bass, and drums join in. (The drums are not in synch with the rest.) Pretty decent song. . . for a fairly simple instrumental. (8.75/10)
3. A Meeting of the Shadows (7:20)
4. Time Dilation (6:13)
5. Stasis / Flux (7:58)
6. Silent Beauty: Bittersweet Memories of Embrace (7:01)
7. New Light (4:33)
8. Memory Terminal (2:05)
9. Twins Paradox: Confessions of a Capitalist Lover (5:10)
10. Deep Abandon (3:55)
11. The Approaching Shade (5:14)

Total Time 60:37

A band to watch.

on the Fishscales = 3.5 stars; 




PHAROAH OVERLOAD 6

Doom Disco-Krautrock?

Line-up / Musicians:
- Tomi Leppänen / all instrumentation
- Jussi Lehtisalo / all instrumentation
Featuring:
- Aaron Turner / vocals

1. Path Eternal (6:34)
2. Arms of the Butcher (5:09)
3. Without Song All Will Perish (8:14)
4. "Tomorrow's Sun" (6:13) (8/10)
5. Blue Light Hum (13:59)

Total Time 40:09

I'm not sure this works. I know it doesn't work for me. 

on the Fishscales = /three stars; 




PULL DOWN THE SUN Of Valleys and Mountains

Prog Metal not far off from the music of KARNIVOOL, only less sophisticated, less polished, less mature.

Line-up / Musicians: 
Koert Wegman – Guitar, Keys, Vocals
Jason Healey – Guitar
Stefan Bourke – Drums

1. "Aka" (1:31) (/5)
2. "Whare Ra" (5:13) simple Post Rock metal palette (not unlike SLEEPMAKESWAVES) that only blossoms at the BLACK SABBATH-inspired two-minute mark but then fails to go anywhere. Nice sounding. It could be so much more. At 4:13 is the first time we hear the death growls--mixed within the walls of sounds (which is kind of novel, kind of cool). (8.5/10)
3. "Of Valleys And Mountains" (4:29) simple grunge metal with death growls for vocals. (8.25/10) 
4. Tūrehu (5:10)
5. Light In Water (2:48)
6. Weta (5:05)
7. Kēhua (5:23)
8. Utu (4:51)
9. Oro (1:41)
10. Ngaro (5:41)
11. "Salt Of The Earth" (8:21) outstanding (19/20)
12. Inoi (10:29)

Total Time 60:42

on the Fishscales = /three stars; 




MARY HALVORSON'S CODE GIRL Artlessly Falling 

Lounge jazz sounding a lot like the music of eccentric Annette Peacock or John Lurie.

Line-up / Musicians:
Amirtha Kidambi - voice
Maria Grand - tenor saxophone, voice
Adam O'Farrill - trumpet
Mary Halvorson - guitar
Michael Formanek - bass
Tomas Fujiwara - drums, beer cans on track 2
Robert Wyatt - voice on tracks 1, 3, 5

1. "The Lemon Trees" (07:14) Robert Wyatt's voice is sounding so old! (12/15)
2. "Last-Minute Smears" (08:57) pure lounge jazz with only the breathy Annette Peacock-like voice of Amirtha Kidambi singing. (8.5/10)
3. "Walls And Roses" (03:32) heavy Hendrix-like blues-rock within which RW and Amirtha Kidambi take turns vocalizing between guitar shredding that sounds somewhere between Hendrix and Larry Coryell. Very interesting. (8.5/10)
4. "Muzzling Unwashed" (10:50) microtonal electric guitar play over free form jazz drums and double bass.Trumpet joins later as music shifts more to old-style jazz forms beneath, in support. (17/20)
5. Bigger Flames (05:15)
6. Mexican War Streets (Pittsburgh) (10:39)
7. A Nearing (10:29)
8. Artlessly Falling (07:16)

Great musicianship on a selections of widely-variant jazz-based prog songs.

on the Fishscales = /3.5 stars;




NICK PROL & THE PROLETARIANS An Erstwhile Alphabestiary: Book One 

Line-up / Musicians:
- Nick Prol / vocals, lyrics, guitar
- Ben Spees / bass, synth, backing vocals
- Connor Reilly / drums
With:
- Dave Newhouse / horns
- Mohadev / stunt guitar
- Oliver Campbell / stunt bass, screams
- Jerry King / stunt trombone
- Jack Tickner / additional stunt guitar
- Kavus Torabi / narration
- Thymme Jones / narration
- Bob Drake / narration

1. New Life (3:18)
2. Foreword by the Author (4:55)
3. "Apropods" (3:04) (8.5/10)
4. "Birth Gourd" (1:43) (4/5)
5. "Cludges" (4:29) (8/10)
6. Duggers (2:44)
7. Emitones (2:57)
8. Filnosses (1:31)
9. Golooms (3:02)
10. Hildges (2:41)
11. Intristics (3:50)
12. "Jelonomi" (3:22) dirty, heavily distorted instruments--even the drums! (8.5/10)
13. Kigangs (1:06)
14. Loshnongs (4:56)

Total Time 43:38

I liked their debut much more!

on the Fishscales = C/2.5 stars




LUCID PLANET II

Psych

Line-up / Musicians:
- Michael / guitar
- Darcy / production, guitar, synth
- Luke / vocals, bass
With:
- Chris Cameron / drums & percussion
- Jade Alice / backing vocals
- Dan Richardson / flute, didgeridoo

1. "Anamnesis" (12:24) the multiple layers of vocals are the highlight for me. (22/25)
2. Entrancement (5:33)
3. Organic Hard Drive (9:38)
4. Offer (4:14)
5. On the Way (9:37)
6. Digital Ritual (4:57)
7. Face the Sun (11:48)
8. Zenith (9:55)

Total Time 68:06

on the Fishscales = 3.5 stars; 



BREIDABLIK Omicron

Very pleasant and impressive Prog Electronic music that patiently establishes itself with some very rich yet-smooth Tangerine Dream-like sounds that are masterfully woven together 

Line-up / Musicians:
- Hakon Oftung / guitars, flute
- Morten Birkeland Nielsen / synths, acoustic guitar, drum programming

Equipment:
-Synthesizers and drum machines / Novation Bass Station 2, DSI Mopho, DSI Prophet 08, Waldorf Streichfett, Waldorf Blofeld, Korg Minilogue, Korg Volca Sample, Korg Arp Odyssey, Korg Microkorg XL, Gakken SX150, Roland SC88VL.
- Guitars and flute / Ibanez G200ECE-NT classical guitar, Furch S22 acoustic guitar, Fender Stratocaster, Yamaha flute.
- Effects and controllers / Waldorf 2-pole, Electro-Harmonix Mel-9, Zoom G3, Digitech Polara, Boss DD-20, Boxx RV-5, Arturia Keystep, StepSequencer ST-S01, Shure SM57 microphone.

1. "Omicron Pt. 1" (22:24) such great, clean sounds used but ultimately the music does not stand up to that of the masters it tries to emulate. (38/45)
2. "Omicron Pt. 2" (20:46) (/40)

on the Fishscales = /four stars; 




CHROMB! Le livre des merveilles

Line-up / Musicians:
- Léo Dumont / drums, percussion, objects
- Camille Durieux / keyboards, synths, vocals
- Lucas Hercberg / bass, synth, vocals
- Antoine Mermet / alto saxophone, delay, synths, vocals

1. "Le livre des merveilles" (4:10) part CARDIACS, part Brutopianisti, part barber shop quartet. I'm certainly entertained by it. (9/10)
2. "Le fleuve Brison" (9:07) (/20)
3. "Les chevaliers qui apparaissent" (12:05) (/25)
4. "La souvenance d'Achille" (7:44) (/15)

Total Time 33:06